VISITING GUAYAQUIL--CITY STREETS

While my brother, Leo, his wife, Carla, and I were visiting in Guayaquil we walked along two or three streets that paralleled the Malecon Drive.  Primarily, we were seeking a place for lunch.  Restaurants seemed far and in-between.  Restaurant scarcity seemed odd in an area dense with financial institutions and government office buildings.  We did find a crowded corner restaurant, which offered a buffet amuerzo.  It was heart-warming to see how quickly the young wait-staff went to work to find us a table and help Carla get herself situated as we made our way down the tight aisles on one of the few days we used a wheel chair.  I don't recall if we were the only gringos in the place, but the staff having to deal with a crush of customers, went out of their way to get us situated and explain the procedure for using the buffet and the various dishes available on the buffet.  I don't how my brother pulled it off. I wasn't standing next to him when he went through the buffet line, but while I had to make choices among the food items offered, Leo just told the server that he wanted one of everything, and that's what they gave him for the same price.

After lunch we walked along the city streets and snapped photos of the beautiful architecture in that part of town near the Malecon.  I didn't take notes on the buildings we saw, so all I have to share with you are the unidentified architectural facade photos.  In the opening slides along the sides of some tall buildings, if I understood correctly, were actual paintings done by well known Ecuadorian artists. It would be great to see a project like that completed in Cuenca.  If not with well-known Ecuadorian artists, then certainly with established and up-and-coming Cuencano artists, who can be free to express their own thing.

We also visited the the Museo Nahim Isaiah, which has a collection of over 2,000 art works.  The exhibits are particularly focused on colonial art and religious art.  Many videos are scattered throughout the exhibits with what I assume were explanations of the history of much of what was being presented on exhibit, since the videos were presented in Spanish.  Those of you from Chicago, who have seen the European religious art on display in the Art Institute would be underwhelmed by most of the paintings on display here.  However, it was interesting to see the contrast in South American artistic take on how the religious art was presented in the various statues and paintings. What I enjoyed the most was the museum structure itself.  It is a beautiful modern building inaugurated in 1989, architecturally designed as truly an art work unto itself, and I did enjoy the way in which many of the works of art were presented without just simply flat-wall lining.


I don't know what many parts of Guayaquil look like  However, near the Malecon, and the plaza walkway a couple of blocks in from the Malecon Drive, one couldn't visit a more nicely maintained area.   The area reminded me of the improvements being made in Cuenca, as well as the improvements that need to be made.  As I said in the previous post, we abruptly made this trip without any research, other than Ecuadorian friends who had told me that the Malecon was one area worth a visit in Guayaquil, and that as we found, was very safe.


A number of major projects are currently underway, or will soon be undertaken in Cuenca.  Such projects include the construction of the underpass on Avenidas de las Americas and Gran Columbia; the excavation along part of the Third of Noviembre, where as I understand it, many cables are being placed underground; construction of many new walkways and observation points have been built along the Rio Tomebama in the past year;  major renovations and rejuvenations of the open air San Francisco Market are to begin soon; the first leg of the electric bus line along Gran Columbia is to begin this year in El Centro, and eventually extend to other streets in El Centro to discourage auto traffic as well as replace the polluting combustible engine gas buses;  twelve miles of new sidewalk construction in El Centro is also scheduled for this year, and is sorely needed; and  Parke Madre will soon be excavated to make room for a 350 car underground garage, and an entirely new park with high quality grade running lanes for joggers will be constructed.  The destruction of this park will be sad to see, along with the loss of so many mature trees.  It will take fifteen to twenty years before the new park will have the beautiful shade trees that form a canopy over many sections of the current park, but in the long-run the park will give greater benefit to the people, and no doubt more parking spaces are needed.

All the delineated above projects cost money and as far as I know are fully funded.  Ironically, two things can be done to spruce up El Centro that would be very inexpensive compared to the above costly projects, and go a long way in improving the beauty of the historic district.  Many commercial buildings in El Centro, no matter what renovations may or may not be needed to their interiors, are sorely in need of fresh paint jobs and in some places fresh plaster to the exterior of the buildings as well.  One example of facades in need of fresh paint jobs, are the buildings that house the Ramipampa Restaurant and Tutu Freddos on Benigno Malo. Especially considering that these buildings are next to the New Cathedral, and within eye view of anyone walking or sitting in Parke Calderon.  One would think coordinated steps between property owners and city officials would work out a plan to spruce up the facades of many of these buildings.  Some buildings only need a fresh paint job at street level, and look fine further up.  While many structures have undergone extensive renovation and restored to their Spanish Renaissance magnificence,  Simple paint jobs to many other facades would certainly contribute to the beauty and freshness of El Centro.

The other problem continues to morph into monstrous proportions since last summer and that is the egregious tagging that has become pervasive like a lethal virus throughout the city.  I have had a number of tourists in recent weeks wonder how a city can be rated the number one city for retirement, or has been designated by UNESCO as an International Preservation Historical Site, and so little respect seems to be shown by the residents of a city with acts of cultural indifference to their heritage by all this pervasive tagging.  Fresh paint and curbing of the tagging problem are two simple things that can be addressed. Neither are cost exorbitant, and yet would go far to enhance the beauty and magnificence of the historic district.

Here's the link to Guayaquil:  Click on the slideshow link in the upper left-hand corner, and best to just quickly click on the forward arrow, so you can control the speed at which you wish to observe each slide.

https://picasaweb.google.com/111741036841400152108/PublicBuildingsGuayaquil?authkey=Gv1sRgCISemIWN9empkQE

An Unpleasant Side of Cuenca

Every day is something new in Cuenca. That’s part of the excitement of my living here. Yesterday was no exception. I planned a low-key day of basically reading and responding to my emails, depressing myself with the financial news from back home, and preparing a post for my blog. For a little exercise, I would make my weekly trek over to Coopera. A walk that normally is about one mile round trip. Coopera is an excellent organic food cooperative, where I planned to pick up some meats, fresh fruits, and vegetables. Much of the remainder of the day was to be spent studying Spanish which I had promised my tutor I would do while he is out of town, and which at this moment is a promise I have yet to keep.

We have had four beautiful days of incredible weather. Sunday was sunny non-stop all day and very hot. Monday and Tuesday were mostly sunny and warm. It has been wonderful for the first time since I arrived in mid-March that I could actually eat my breakfast on my balcony. What a sense of freedom to open up all the windows and leave them open throughout the day without the worry of it being too cool, and where the feeling of the inside of my condo and the outside become as one. Today, Wednesday, has been cloudier, and a little cooler. Nonetheless, it’s another beautiful day. Cuenca has received all of its annual average precipitation by the end of June. July has involved less rain than the previous months, but much cloudiness, and both June and July were well below their average annual temperatures. I would like to believe we are on a new trend, but I also know that August and September are suppose to be our coldest months during the year in Cuenca. I hope I haven’t jinxed us with a good weather report, or lots of expats will be growling at me if things start getting cold again.

I digress. My day as usual would go much differently than I planned. I did not study Spanish, nor did I get this post done. One amigo called, soon was at my door and we went out for dinner, then while we were eating, an amiga called and joined us as well. I had absolutely no intentions of wanting to go into El Centro last evening, but she insisted. Little did I expect to find myself standing ten feet from Presidente Correa as he was leaving a meeting in the municipal building across from Parke Cauderon. No limo in which to ride for this president. Ecuador may not be a wealthy country economically, but that hasn’t stopped government officials from parading around like they are kings in countries far less affluent than Ecuador. I was duly impressed. Before entering his car, the Presidente and I sat down over coffee at Fruitiladas to discuss a very pressing problem in Ecuador, the epidemic of major graffiti over much of El Centro in the past month. (Well, the coffee conversation didn’t quite happen, but then again it depends upon your view of reality.) At any rate, I am now prepared to share with you my original post that did not get completed yesterday.

When I came to Cuenca from Quito in March, one of my comments was how little graffiti there was in Cuenca compared to Quito, and how thankful I was for that. I don’t know if it’s because school is out for two months and some, most likely teens, have too much time on their hands. However, the spread of graffiti has been a contagion, particularly the last couple of weeks. Calle Larga from one end to the other is mired in graffiti hardly without a building that hasn’t been sprayed. Paint has been sprayed on the walls along the river. Rich and Nancy pointed out in their post today, that even monumental sites like the New Cathedral have not been spared from the tagging.

I don’t know if South Americans have a different attitude toward graffiti than gringos. While I know discussing the problem with four Ecuadorians at different times in the past few days hardly makes for an accurate survey, none of them seemed concerned about the tagging, and basically shrugged their shoulders. Yet I know one thing the Cuenca taxi drivers want to comment about all the time is how beautiful and tranquil Cuenca is.

Among gringos, especially from the United States graffiti is not only viewed as an eye sore, but often and accurately is associated with gang activity. Areas sprayed in graffiti are usually viewed as more dangerous and personally unsafe. While Cuenca has little if any serious gang problems at this time, the perception can be harmful to Cuenca’s tourist trade, if tourists view the city as unsafe, which it is not, or if photos of everything tourists take are mired in graffiti. It also doesn’t make much sense to spend all the money that in recent years has been invested into the beautification and restoration of El Centro; the constant picking up of litter by city workers; and the washing, soaping, scrubbing, hosing down of public and some private squares every evening; what good is it if the positive efforts are cancelled out by a bunch of punks with nothing better to do than tag, or who wish to exhibit anti-social behavior.

I was walking along the river park just below El Centro where construction workers have completed new walkways and terraces with benches that allow strollers to sit and enjoy the beauty and sound of the Rio Tomebama. Yet at the same time, the walls that form the foundations for El Centro above the river basin have become degraded in places with sporadic tagging.

I am not a fan of graffiti art. I don’t find it all that attractive and usually it’s too cartoonish-looking for my tastes, but when the effort at art is done legitimately and with some oversight, I can tolerate it. I am not attempting to force my tastes upon others. In fact, as I was walking along the river on Sunday, two young man where spray-painting the wall along the area. One young man had about eight cans of paint spray. I assumed since they were actually working on something meant to be art and doing it in broad daylight, that they must have had some official’s permission.

Most tagging, however, is just an eyesore performed by people with no artistic talent, and with no concern with being artistic, just destructive. In fact, these taggers will not hesitate to spray over the more artistic graffiti, just to act out their negative energies. I watched one man out on Grand Columbia outside EL Centro repainting an entire wall, as he painted over the graffiti, and I couldn’t help but wonder if by morning the wall wouldn’t be tagged all over again. Even beautiful homes in some of the nicest neighborhoods, with nice clean and relatively new paint jobs find their outer walls spray-painted.

In Rich and Nancy’s post “Good Art and the Ugly” (August 2), they stated that some Ecuadorians had mentioned that city officials may be preparing to take actions against these hooligans, with possible fines by the parents and jail time by the perpetrators. I don’t believe this solution nary will make a difference in the recent prodigious proliferation of graffiti in the city. I would suggest to city officials that they investigate what some cities like New York City or Chicago have specifically done to minimize graffiti in their cities.

Generally, actions need to be taken to make spray paint less available to customers. Some cities have done a combination of the following: limit the number of stores that can sell spray paint, require that purchasers of spray paint be at least eighteen years of age, require the spray paint be kept behind the counter, require an identification with a recording of the purchaser and paint purchased in efforts to minimize cans falling into the hands of ill-intended violators of aesthetic destruction of the beautiful city of Cuenca.

I hope that this is an issue that the city officials and the chamber of commerce will take seriously, research seriously, and act swiftly before Cuenca is turned into the graffiti capital of the world. There, now maybe I'll get my Spanish homework done.